BLIND SPOT | 2016 ↑
3D animation, runtime 7 min
The constellation of home videos and 3D-gestures can be thought as tools for appreciating strangeness.
Home is the strangest place. It is strange in its very homeliness, as Freud observed. Indeed, here is strange in itself. To see a place in its strangeness is not just to see how it is permeated with otherness. That could collapse into racism: otherness immigrates and I'm ready with my gun. Within a horizon, you can indeed be aware of "another" place over yonder. Appreciating strangeness is seeing the very strangeness of similarity and familiarity. To reintroduce the uncanny into the poetics of the home (oikos, ecology, ecomimesis) is a political act. Cozy ecological thinking tries to smooth over the uncanny, which is produced by a gap between being human and being a person—by the very culture which is necessitated ironically because humans emerge from the womb premature, that is, as beings of flesh without a working sense of self.
[Timothy Morton, Ecology without Nature (2007), p. 177.]